TRACK / 01
2025 source · multiple later versionsMake Me an Animal
The later Suno v6 recording sits alongside three earlier treatments.
Open the song & versionsCall Me Daddy / character & experimentation
A character.A transformation.
Call Me Daddy is the recording identity of William J. Crowell, the Canadian musician behind MusicSubject and the earlier Sqaz name. His catalog includes experimental work alongside hip-hop, electronic music, dubstep and alternative R&B.
William J. CrowellThe person
MusicSubjectThe overarching project
Call Me DaddyThe recording identity
SqazThe earlier alias
01 / Experimental work & versions
Songs that change shape.
Crowell’s work often retains alternate arrangements instead of reducing a song to a single definitive recording. Make Me an Animal is cataloged with four versions, including an EDM switch-up, a warehouse treatment, a remaster and a later AI-assisted recording. The archive dates the song’s origin to 2025.
That changing form has a visual counterpart: the catalog associates the later Animal recording with lion artwork and a short background video. The music, artwork and version history are presented as connected parts of the release.
Other recordings use character, exaggeration or satire. The Musician Police turns a dispute about music-making tools into a song, while Satan’s Loan develops imagery from an earlier poem through a cinematic electronic arrangement. These are different creative settings within the same artist’s work.
Crowell’s older Sqaz recordings supply an earlier chapter. MusicSubject now serves as the overarching project, while Call Me Daddy identifies the current recording persona. The names connect a continuing practice of writing, recording and experimenting with how a song is presented.
02 / Selected listening
The work behind the names.
Recordings and versions that connect with this part of the story.
TRACK / 02
2026 · MusicSubject feat. Call Me DaddyThe Musician Police
A satirical song from the New Tools Trilogy.
Open the song & versionsTRACK / 03
2012 writing · 2026 recordingSatan’s Loan
An earlier poem developed into a cinematic halftime arrangement.
Open the song & versions